![]() ![]() The staging actually features a second reflective surface inside, set up so that when it is illuminated it reflects pictures of statues and furniture in a way that makes the viewer feel as if he were actually inside a room among full-size objects. ![]() Outside, Chiappe looks dazzled, maybe a little bewildered, as he blinks in the sun.Īn Italian scientist named Giambattista della Porta, inventor of the camera obscura, first describes creating a three-dimensional, Oculus Rift–like effect in a paper titled "How we may see in a chamber things that are not." The viewer enters a darkened space and peers into a looking glass. Finally, with mock outrage, David shouts, "Take them off!" An awkward quiet descends as the women writhe through the air. Onstage appear two blond women in the midst of what might best be described as the latter stages of a gentlemen's-club-type presentation. "Bring up the secretaries," he says, grinning, into a two-way radio. "What's great about this," he says, "is that you could have kids at the museum take pictures with dinosaurs."Ĭhiappe considers this, but Alki David isn't done. Nussbaum walks him back down and suggests that the museum could hire Hologram USA to set up a stage like this one to bring T. Nussbaum coaches him to watch a monitor stationed to the side that shows the dinosaur, but Chiappe just keeps gazing around. He crab-shuffles uncertainly back and forth. He can no longer see the creature: The hologram is visible only from the front of the stage. He climbs to the stage, where the newly conjured velociraptor begins prowling behind him, but he is immediately disoriented. ![]() Here is Ray Charles, fingers somersaulting across the keys of a piano, feet stomping ![]() In the dark he is visible only by the reflection of the velociraptor in his glasses, so it's difficult to gauge his reaction. Over the past twenty years he has conducted fieldwork in Mongolia and Kazakhstan and many other places around the world. Luis Chiappe, a balding man with a beard going gray, is the director of the Dinosaur Institute at the Natural History Museum of Los Angeles County, a 102-year-old institution that protects specimens dating back 4.5 billion years and that recently opened a 14,000-foot exhibition space called Dinosaur Hall. You can't hear any thump of footsteps, or anything at all, but still: The thing is not a flat image beamed from a projector but a creature with depth and heft and teeth. Two chandeliers gradually dim, and after a short silence a velociraptor appears on a stage scarcely twenty feet away, stalking back and forth, gliding on springy hind legs, tail whipsawing. The dinosaur expert leans forward on a large L-shaped sofa in a room where blackout curtains erase the Beverly Hills sunshine. In it, Howard discusses the science that predates today's holograms, and the long, strange timeline that brought us to Zombie Robert Kardashian. Now that holograms are having another cursed moment, the timing is right to dust off this feature that David Howard originally wrote for Popular Mechanics back in June 2015. There was a Michael Jackson hologram who played the 2014 Billboard Music Awards, a controversial Prince hologram who stole the halftime show at the 2018 Super Bowl, and even an Amy Winehouse hologram project underway that's meant to be part concert, part Broadway production. Plenty of other dead celebrities have joined Robert Kardashian and Shakur in coming back to life in recent years. While it isn't clear how much West paid for the Robert Kardashian hologram, we do know it took an estimated $10 million to produce a Tupac Shakur hologram who performed for four minutes at Coachella several years ago. ![]()
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